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              If you happen to come upon a tangled piece of driftwood on the 
                beach or an interesting twisted log in the woods, and wonder what 
                implied images it might contain, there's a man here who you can 
                ask: Bruce Struik, who has developed his intuitive ability to 
                visualize shapes and patterns barely suggested by natural forms. 
                Bruce's love affair with Beaver Island began long ago when, after 
                getting his degrees (in geography and social science) he and some 
                friends came to Beaver Island, acquired a piece of land on the 
                lower east side, and started right in to build a cottage, Yesteryear, 
                from the available materials: primarily stone, plus some massive 
                (16" x 16") hewn beams delivered by Jewell Gillespie 
                for $25 each. The friends built 2'-thick wall forms and filled 
                them with fieldstone and mortar (35 tons each), and then set the 
                beams across the width of the house. 
              Life took Bruce away from the Islandto run Hope's Big Brother 
                program for 10 years, and then to open a gourmet restaurant for 
                13, but once he went back to his first love, teaching, he at least 
                could spend summers here. In addition to the meals he served at 
                the Christian Church, he became known for his found wood 
                creations beginning in 1971, which appeared at the BIHS Art Show 
                and in local galleries. In the genre of bringing a table or a 
                bookcase or a lamp out of something wild, he is a recognized master. 
                
              The things he picks up on his walks on the beach and in the woods 
                can prove reluctant to give up their secretssome finds have 
                been sitting on a long table outside Bruce's home for over twenty 
                years. But once an idea comes to him, he sets to work in his outdoor 
                shop, cutting and carving and sanding and gluing and varnishing 
                until something really quite remarkable appears. 
              His sculptor's sensibility has found expression in 
                a second arena: gardening. He started with a few rocks pulled 
                off the beach, placing them to make a raised bed. One thing led 
                to another, and suddenly his home was surrounded by gardens using 
                rocks ranging to boulders to create beds and paths and ponds and 
                hillsand even a waterfall. Now, with two interests to take 
                his mind off his health problems, he has put himself in an ideal 
                position for stimulating his aesthetic explorations: working furiously 
                in his garden, he is likely to suddenly see something inside the 
                chunks of wood sitting in his rack, and when he's polishing another 
                burl or tangled root he might conceive of the perfect esoteric 
                flower to add to his extensive plantings. 
               
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